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'The version of the film included here is director Brian De Palma's original and preferred unrated cut. The following text appears inside the leaflet provided with this Blu-ray release:

Also, you can check the actual Blu-ray disc and look for Second pressing 2015. You can recognize the release if you look at the back cover, next to Printed in USA, where you should see Second printing 2015 (see screencapture #24). Please note that this review covers the Second Printing of Dressed to Kill.

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Presented in an aspect ratio of 2.35:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Brian De Palma's Dressed to Kill arrives on Blu-ray courtesy of Criterion. The film's soundtrack was created by long-time De Palma collaborator Pino Donaggio ( Carrie, Blow Bode (John Badham's Saturday Night Fever, Jack Fisk's Violets are Blue.). Franz, still looking very young and slim, is absolutely hilarious as the cocky detective.ĭressed to Kill was lensed by cinematographer Ralf D. Allen and Caine areĪlso outstanding in their respective roles. The museum sequence, in particular, where she follows the man is truly amongst the best of its kind. What she manages to accomplish for the short period of time she is in front of theĬamera is quite remarkable. The film has many stars, but Dickinson impresses the most. When they remain silent, theĬamera carefully studies their faces or spends time observing objects that would reveal what the viewer needs to know about them.

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Virtually all of the exchanges between the actors are full of incredibly sharp lines. Manner in which shadow, light, and color are utilized ought to be studied by aspiring young directors.ĭe Palma's script is also first-class. Each sequence is expertly shot – the camera moves and the There is sleaze and there is gore but theyĪre perfectly mixed, effectively adding to the tense atmosphere not detracting from it. The film flows, never stumbling or overwhelming with an attitude. That no other mainstream American film from the early '80s has.īrian De Palma's direction is flawless. Its attitude towards sex, in particular, gives it an edge Hitchcock's influence can easily be felt but the film most definitely has an identity of its own. The city's upcoming science championship. Liz is also approached by Kate's son, Peter (Keith Gordon, The Legend of Billie Jean), who has been working on an exciting new device for In the days that follow, Liz is questioned by detective Marino (Dennis Franz, Body Double) who warns her that she is his prime suspect and in a couple of days will end up behind bars – unless she helps him trackĭown the blond woman with the dark sunglasses. Prostitute, who has been entertaining a client from Cleveland. The murder is witnessed by Liz (Nancy Allen, Blow Out, 1941), a beautiful In the building's elevator, a blond woman wearing dark sunglassesĬuts her throat with a razor. Before she leaves, Kate discovers that the man has a venereal disease. They finish what they have started in hisĪpartment.

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She drops her glove, he picks it up, and later on the two make love in a taxicab while the driver watches.

While taking notes, an attractive man (Ken Baker) sits next to her. Elliott, Kate visits the Museum of Modern Art. To him, she asks if he ever wanted to make love to her. Elliott encourages her to be brave and talk

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She wants more but does not know how to tell her husband. Elliott (Michael Caine, Pulp), she confesses to him that Sometime after that Kate makes love to him - and pretends that she likes it.

She screams but her husband can't hear her,Įven though he is also in the bathroom, slowly shaving his face. In the film's opening sequence she is raped by an unknown man while showering. Kate Miller (Angie Dickinson, Rio Bravo, Ocean's 11) is a frustrated New York housewife who has In English, with optional English SDH subtitles for the main feature. The release also arrives with an illustrated leaflet featuring Michael Koresky's essay 'The Power of Two'. The supplemental features on the disc include exclusive new video interviews with the American director, actress Nancy Allen, producer George Litto, composer Pino Donaggio, former model, and photographic art director Stephen Sayadian appreciation piece by actor Keith Gordon in-depth look at the differences between the Unrated, Rated-R, and Network versions of the film and more. Svet Atanasov, September 3, 2015īrian De Palma 's 'Dressed to Kill' (1980) arrives on Blu-ray courtesy of Criterion.